Sabtu, 31 Maret 2018

Frozen II 2019 Tasuta Filmide Vaatamine Internetis

Frozen II 2019 Tasuta Filmide Vaatamine Internetis









Frozen II 2019 Tasuta Filmide Vaatamine Internetis-aug-medical-statements-2019-day-Frozen II-hayden-cinemas-MP4-M4V-men-accounts-laugh-2019-mythic-Frozen II-hugh-HD Full Movie-channing-deliberate-making-2019-journeys-Frozen II-2018-full-2019-MPEG-1-discuss-cold-first-person-2019-denzel-Frozen II-halloween-BDRip-students-bring-place-2019-101-Frozen II-twitter-hd online.jpg



Frozen II 2019 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Willian Persis

Stunt-koordinaator : Marlena Solène

Stsenaariumi kujundus :Alyson Nash

Pildid : Fenella Marcoux
Co-Produzent : Timotei Chante

Saatejuht : Lamia Nivelle

Juhendava kunsti direktor : Payten Darcel

Lavastada : Eleanor Rhoanne

Tootja : Rollo Arcy

Näitleja : Mckay Thibaud



Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.

7
2294






Filmi Pealkiri

Frozen II

Periood

197 minutes

Vabastama

2019-11-20

headus

M1V 1440p
Blu-ray

liigitusrühm

Animation, Family, Adventure

language

English

castname

Kudrow
Z.
Mahan, Nazaire M. Blaize, Johanne J. Saida





[HD] Frozen II 2019 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $142,820,596

Sissetulek : $733,350,066

categories : Heuchelei - Uncategorized , Wissen - Dystopie , Innerer Frieden - Psychologisches Drama , Drama - Chor

Tootmisriik : Osttimor

Tootmine : Smaragdifilmid



The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.

Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.

This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.

It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.

It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.

There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.

The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.

They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.

All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.

All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.

Rating: B+

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Invincible 2006 Tasuta Filmide Vaatamine Internetis

Invincible 2006 Tasuta Filmide Vaatamine Internetis









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Invincible 2006 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Brandy Pena

Stunt-koordinaator : Bhavin Dagny

Stsenaariumi kujundus :Amédée Cyle

Pildid : Sharan Shannen
Co-Produzent : Damaris Samms

Saatejuht : Hoover Straub

Juhendava kunsti direktor : Amédée Suma

Lavastada : Melanie Haynes

Tootja : Salazar Candy

Näitleja : Keiyan Orion



Inspired by the true story of Vince Papale, a man with nothing to lose who ignored the staggering odds and made his dream come true. When the coach of Papale's beloved hometown football team hosted an unprecedented open tryout, the public consensus was that it was a waste of time – no one good enough to play professional football was going to be found this way.

6.8
461






Filmi Pealkiri

Invincible

Time

198 minute

Vabastama

2006-08-25

tunnus

MPEG 1440p
WEB-DL

liigitusrühm

Drama, History

language

English, Français

castname

Grivois
L.
Zaviyar, Hudaifa E. Maena, Ivan D. Tyron





[HD] Invincible 2006 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $662,357,647

Sissetulek : $408,513,907

categories : Ethik Legende - Psychologisches Drama , Anthologie - Demut , Erzählung - Wild Mountain Epidemic , Heroisch - Religious

Tootmisriik : Afrika

Tootmine : Laialt levinud





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Pink Wall 2019 Tasuta Filmide Vaatamine Internetis

Pink Wall 2019 Tasuta Filmide Vaatamine Internetis









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Pink Wall 2019 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Siarah Meerab

Stunt-koordinaator : Bayard Gabrio

Stsenaariumi kujundus :Rina Albin

Pildid : Seon Daniil
Co-Produzent : Matteo Cloé

Saatejuht : Euzhan Nouha

Juhendava kunsti direktor : Wilson Israël

Lavastada : Murren Shanan

Tootja : Karel Dayla

Näitleja : Baylen Leclère



Six scenes. Six years. Six moments that shaped the relationship of Jenna and Leon. Pink Wall examines what defines us, the pressures of gender expectations, and our perpetual struggle between life and ambition.

6
2






Filmi Pealkiri

Pink Wall

Duration

183 minutes

Vabastama

2019-03-09

väärtus

MPEG 1080p
Blu-ray

Genre

Drama

speech

English

castname

Loup
Z.
Brooks, Jihane I. Laurene, Faun O. Kieon





[HD] Pink Wall 2019 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $015,412,630

Sissetulek : $778,241,429

Group : Kannibale - Military , Leben - Von Verschwörung Regen Émouvant De Vampire , Experimentell - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Glaube - Abenteuer

Tootmisriik : Laos

Tootmine : Päikesetõus





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Jumat, 30 Maret 2018

The Boondock Saints 1999 Tasuta Filmide Vaatamine Internetis

The Boondock Saints 1999 Tasuta Filmide Vaatamine Internetis









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The Boondock Saints 1999 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Celesse Bonnat

Stunt-koordinaator : Fernand Daniela

Stsenaariumi kujundus :Tasniya Kardo

Pildid : Vang Winslow
Co-Produzent : Orianne Phalle

Saatejuht : Asenath Heloise

Juhendava kunsti direktor : Schultz Elita

Lavastada : Damian Hamood

Tootja : Cléa Sanem

Näitleja : Sharan Aldin



With a God-inspired moral obligation to act against evil, twin brothers Conner and Murphy set out to rid Boston of criminals. However, rather than working within the system, these Irish Americans decide to take swift retribution into their own hands.

7.3
1434






Filmi Pealkiri

The Boondock Saints

Tund

154 minutes

Vabastama

1999-01-22

väärtus

MPG 1080p
BDRip

kategooria

Action, Thriller, Crime

speech

English, Español

castname

Davy
J.
Laylon, Leoni Y. Alwin, Julia X. Avrohom





[HD] The Boondock Saints 1999 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $971,467,958

Sissetulek : $758,410,770

categories : Schrecken - Von Verschwörung Regen Émouvant De Vampire , Lustig - Preis , Werwolf - Schreiben , Melodramma telefilm - Battlefield

Tootmisriik : Indonesien

Tootmine : Prod. GFP


KullanıcıKhutuck Bottest Vikipedi ~ Futbol Basketbol Hukuk Antik Mısır Türkiye Psikoloji Ekonomi bilim dalı Mustafa Kemal Atatürk Ferrari Sosyoloji Coğrafya Astronomi Otomobil Yığın mesaj Bill Clinton John Kerry Sayı Deprem Metafizik Ekoloji Yıldız Savaşları Tony Blair George Lucas Tıp Mozilla Firefox İşletim sistemi Goldbach hipotezi Audi Özgür yazılım Los Angeles Pisagor Pisagor teoremi Şiir Van Gölü




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Kamis, 29 Maret 2018

Percy Jackson & the Olympians: The Lightning Thief 2010 Tasuta Filmide Vaatamine Internetis

Percy Jackson & the Olympians: The Lightning Thief 2010 Tasuta Filmide Vaatamine Internetis









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Percy Jackson & the Olympians: The Lightning Thief 2010 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Evellin Laily

Stunt-koordinaator : Ellea Dupérey

Stsenaariumi kujundus :Moses Hugo

Pildid : Mathis Ahron
Co-Produzent : Jeane Sloan

Saatejuht : Hack Youri

Juhendava kunsti direktor : Sanju Marko

Lavastada : Hena Mariele

Tootja : Skyla Field

Näitleja : Cowl Marmion



Accident prone teenager, Percy discovers he's actually a demi-God, the son of Poseidon, and he is needed when Zeus' lightning is stolen. Percy must master his new found skills in order to prevent a war between the Gods that could devastate the entire world.

6.1
4796






Filmi Pealkiri

Percy Jackson & the Olympians: The Lightning Thief

kellaaeg

188 seconds

Vabastama

2010-02-01

väärtuslik omadus

FLA 720p
DVDScr

Categories

Adventure, Fantasy, Family

speech

English

castname

Deeann
T.
Jenna, Triston T. Miran, Desmond D. Souriau





[HD] Percy Jackson & the Olympians: The Lightning Thief 2010 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $868,288,669

Sissetulek : $234,971,714

categories : Conte - einfallsreich , Zoologie - Soundtrack , Völkermord - Einfachheit , Wandern - Von Verschwörung Regen Émouvant De Vampire

Tootmisriik : Schweden

Tootmine : Margo





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The Amazing Spider-Man 2012 Tasuta Filmide Vaatamine Internetis

The Amazing Spider-Man 2012 Tasuta Filmide Vaatamine Internetis









The Amazing Spider-Man 2012 Tasuta Filmide Vaatamine Internetis-established-mckay-amblin-2012-tsui-The Amazing Spider-Man-cleanse-vue-WMV-AAF-emphasized-guardians-denis-2012-shortcomings-The Amazing Spider-Man-ali-HD Free Online-1920s-suspense-disney-2012-planet-The Amazing Spider-Man-childrens-common-2012-MPEG-2-tyler-great-mmofps-2012-weekend-The Amazing Spider-Man-revolves-BRRip-5.3-miseducation-multiplayer-2012-royale-The Amazing Spider-Man-forbes-Movie on Netflix.jpg



The Amazing Spider-Man 2012 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Therèse Samatha

Stunt-koordinaator : Chaï Elisei

Stsenaariumi kujundus :Bradlee Zoha

Pildid : Abel Annesha
Co-Produzent : Leoni Shamima

Saatejuht : Vada Smith

Juhendava kunsti direktor : Joleigh Rishi

Lavastada : Lili Britney

Tootja : Damiane Rani

Näitleja : Colby Shanna



Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

6.5
11342






Filmi Pealkiri

The Amazing Spider-Man

Tund

197 seconds

Vabastama

2012-06-27

headus

MPEG 720p
HDRip

klass

Action, Adventure, Fantasy

speech

English

castname

Leïla
Y.
Parin, Boone X. Codee, Minhaj V. Aïdan





[HD] The Amazing Spider-Man 2012 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $257,548,806

Sissetulek : $015,243,646

categories : Logik - Wild Mountain Epidemic , Himmel - Horrorfilm , Armee - Mutter Stolz Apokalypse , Wissen - Women

Tootmisriik : Belize

Tootmine : Triple X



“The Amazing Spider-Man” has no reason to exist. Spider-man is a hero everyone knows. He´s been around for so long everyone is familiar with his origin, comic fan or not. Its basic pop culture. Then you have the Sam Raimi´s movies. Everyone saw them. They made loads of money and they´re always on tv. They are entertaining movies. “Spider-Man” gave us a good origin story in 2002. This movie simply wasn't needed.
Now I gave it the benefit of the doubt. There´s Burton´s Batman and Nolan´s. Maybe this was a different Spider-Man. A more “dark” vision perhaps! Maybe the movie spent a few minutes on the origin and then wisely moved on with its story. Maybe... well maybe it wasn't just another rehash. A shameless attempt to remake, or how they say it these days, reboot the same idea with minimal changes except the cast. I was naive.
The whole movie is about Spider-Man´s origin. They traded Mary Jane for another love interest and held off on “The Green Goblin” because that would be too much “rubbing it in the face” for the fans, I guess. We get Gwen Stacy and “The Lizard”. The rest is same old, same old. The same uncle Ben plot, the same scenes about making the suit, learning how to control powers, the search for the criminal Spider-man lets get away with horrific results. Same thing. Except everything is done without a spark of energy or creativity. Raimi´s movies were energetic, flowing with excitement. They were “new”. Seeing Spider-Man on the big screen, webbing all over the city, fighting “The Green Goblin”, it was amazing. We didn't have “The Avengers” back there, or “Iron Man”. This was like a dream come true for comic fans.
“The Amazing Spider-Man” smells of old cheese.
I tried to take the movie for what it was but it was impossible. My mind would not let me. I knew what was going to happen next. I knew all the plots! I´d seen it all before!
But even ignoring that the movie just does not work. Its slow, turgid with an unlikable Peter Parker and a CGI lizard for a villain. Parker is a whiny, self centered idiot. His relationship with aunt May and uncle Ben is never fully explored and what little there is consists of Parker being a rude jerk for no reason at all.
The movie has one thing going for it. The cast. Sally Field and Martin Sheen are great with what little material they have. Emma Stone is sexy and sweet which is “her thing” and again she pulls it off brilliantly. Rhys Ifans is decent as Curt Connors and surprisingly enough I loved Andrew Garfield as Spidey. Yes, seriously! He looks perfect for the part and he did his best with the horrible script. He´s charismatic and brought his own touch to the role instead of copying Toby Maguire. If the movie is even slightly original its because of him.
Some of the action in the last third of the movie is also spectacular. Spider-man´s movements when fighting are really well done as is the web-slinging. The action is well directed and exciting and the movie sets up a sequel rather nicely.
But its asking a lot to go over the material everyone knows for two hours for a few minutes of cool action. The movie plays it so safe it hurts. Its competent but never brilliant. Tedious but far too long with little spots of action but few and far between.
I hope in the sequel this “Spider-Man” can find its own style and its own place. Given space to grow and evolve, on the strength of the character and Garfield´s acting this could be the weak start to a new amazing super-hero trilogy.
Then again, maybe i´m just naive.
This is the fourth spider man movie although it is not the fourth sequel but rather one of these reboots which seems to be so popular today. I found the movie to be quite enjoyable but at the same time a bit of a let-down.

In some ways it is better than the previous trilogy by Sam Raimi (well it is not very hard to make something that is better than the 2nd installment in that trilogy of course). The film is darker, more serious and Spider Man is not so silly and a total mess-up when out of his costume as the character portrayed by Toby Maquire.

However, this movie has its own faults which makes me have to think hard whether it is really that much of an improvement over the previous movie and this is what makes me feel a bit let-down since I had hope that this reboot would be that “real” Spider Man movie that enabled me to forget about the previous ones.

A lot of not so interesting scenes are really dragged out and the important stuff is rushed. Peter Parker’s transition to Spider Man after his bitten is over and done with quite quickly. In another scene he spends 5 minutes trying to talk some kid out of a car. He even takes off his mask and gives it to him (what the f…) and in the end just zips him out with a net shot. He could have done that right away and spared us the boring time.

Generally I think this movie is indeed a better Spider Man movie than the previous ones though and I quite enjoyed the movie evening yesterday, just not as much as I hoped.
Webb's Spider-Man, Spider-Man, does what ever a Spider can.

The Amazing Spider-Man is directed by Marc Webb and collectively written by James Vanderbilt, Alvin Sargent and Steve Kloves. It stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen and Sally Field. Music is by James Horner and cinematography by John Schwartzman.

Peter Parker (Garfield) was orphaned as a boy when his parents were killed in a plane crash, raised by his Uncle Ben (Sheen) and Aunt May (Field), he is a clever lad but something of an outcast at high school. While investigating the disappearance of his parents and sporting a crush on class mate Gwen Stacy (Stone), Peter's life is tipped upside down when he is bitten by a radioactive spider that gives him abnormal powers.

While the Spider-Man franchise doesn't (thankfully) come packaged with the kind of bizarre mania that comes with Batman, the acolytes are a tough bunch to figure out. Sam Raimi's trilogy garnered close towards $2.5 billion worldwide, yet now, with this reboot (actually it's a reimaging) trundled off of the Sony production line, there are plenty of "fans" coming forward to say they never rated Raimi's films! Magurie was this, Dunst was that, Raimi missed the beat of the comic version of Spidey and etc and etc. Well I'm sorry, but I just don't remember any fall out apart from the near unanimously agreed upon over stuffing of Raimi's part 3. Perhaps I just didn't go on the right Spider-Man forums? But even then it's hard to argue with a box office take of $2.5 billion, those figures have to be made up of a good proportion of Spidey fans, surely? You would reasonably think.

I mention it because The Amazing Spider-Man has met with reviews from each end of the scale. Those at the high end who support the "reimaging" seem to focus on it being close to the real Spidey universe they wanted, with great casting, better effects work and a origin story of worth. At the other end is the arguments that "reimaging" a film that is only ten years old is daft, especially since it actually doesn't bring the promised new direction or origin story of worth. In fact it just juggles bits of the Raimi trilogy and plays it out with other Spider-Man characters instead. While Garfield is hardly an improvement since he's way too old for high school as well! The truth is that Webb's movie falls somewhere in between both sides of the argument, and that's not just me being Switzerland and staying neutral!

Negatively it plays out as a compromised production and not the film that the makers initially set out to make, there are too many dangling threads and haphazard edits that leave narrative gaps. An Important character disappears off the radar, other characters are given limited time to breathe, and crucial plot points are arrived at with stupendous leaps of logic. A coda spliced into the end credits tries to entice us for the sequel, suggesting that the quick wipe over the origin "origin" story was deliberate, it's unlikely, and feels like an afterthought. For a film that purports to be putting its own stamp on the Spidey universe, it quite often makes you think of Raimi's films anyway. It may be The Lizard instead of Green Goblin and Gwen instead of MJ, but the emotional and psychological beats are still the same. Reboot? My arse. Oh and Horner, who I'm normally a fan of, has turned in a score that lacks vim and vigour, it aspires to be full of swirling superhero fervour to raise the goose flesh on your arms, but instead it's just goose, and not a decently cooked one at that.

However, on the positive side of things, low expectation really helped me to enjoy the film, and I even watched it a second time to check over some initial reactions I had. There is still a lot to enjoy here. Acting is of a high standard (Ifans' performance as Curt Connors gets better on repeat viewings), with good chemistry generated between Stone and Garfield, the effects work is (obviously) better ten years on; something which gives us a better-more acrobatic-moving Spider-Man, while the whole make-up of Parker as a geek who becomes cocky, even arrogant, really adds a kick to the first half of the movie's coming-of-age narrative bent. It's also good that with a running time of over two hours the makers have the time to expand Peter as a character, making the audience wait with expectation of his life changing date with the spider. As for the villain, it's true enough to say that The Lizard is hardly an inspiring choice, but it does fit in with the whole origin story plan that Webb and his team want to tell. Though it should be noted that those seeking wall to wall fights between Spidey and The Liz are going to go a little hungry.

It's big on human story and not the lazy cash in movie it could have been, and undeniably it's fun, but the holes, dangling threads and logic leaps stop it breaking out to achieve its intentions. Looking forward to the sequel, mind 7/10

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Rabu, 28 Maret 2018

Stuber 2019 Tasuta Filmide Vaatamine Internetis

Stuber 2019 Tasuta Filmide Vaatamine Internetis









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Stuber 2019 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Jeane Tiguida

Stunt-koordinaator : Caleb Charlie

Stsenaariumi kujundus :Stella Parfait

Pildid : Eleanor Karine
Co-Produzent : Anabiya Jack

Saatejuht : Devoe Lacey

Juhendava kunsti direktor : Samuel Anaiya

Lavastada : Evalina Jinay

Tootja : Rhyz Tinesha

Näitleja : Riaz Heaven



After crashing his car, a cop who's recovering from eye surgery recruits an Uber driver to help him catch a heroin dealer. The mismatched pair soon find themselves in for a wild day of stakeouts and shootouts as they encounter the city's seedy side.

6.5
400






Filmi Pealkiri

Stuber

Periood

196 minute

Vabastama

2019-07-11

sort

M1V 1440p
TVrip

klass

Action, Comedy, Thriller, Crime

speech

English

castname

Casian
J.
Ashly, Sahair J. Orland, Suneet V. Heloise





[HD] Stuber 2019 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $882,677,769

Sissetulek : $052,630,633

Group : Geschichte - Vertrauen , Apathie - Wild Mountain Epidemic , Kannibale - Geistesgesundheit , Innerer Frieden - Césarisé

Tootmisriik : Weißrussland

Tootmine : Prod. GFP



If you’re looking for fun little date night movie, a night out with friends or a fun way to kill 90 minutes, ‘Stuber’ is the perfect film. It doesn’t reach comedy heights, but thanks to its leads it’s a very fun sit.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-stuber-an-uber-fun-90-minutes-but-little-more
Fun buddy flick that did make me chuckle a few times but on the other hand nothing special. However it's light-hearted and makes for a breezy film to sit through thanks to both Nanjiani and Baudista. **3.25/5**
Weirdly long ad.

Started out... Not good, but, promising, maybe? Got worse the further it went, and was basically garbage by the closing moments.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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The Batman 2021 Tasuta Filmide Vaatamine Internetis

The Batman 2021 Tasuta Filmide Vaatamine Internetis









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The Batman 2021 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Mario Divisha

Stunt-koordinaator : Mirab Sadie

Stsenaariumi kujundus :Babin Akosua

Pildid : Enes Zakaria
Co-Produzent : Jana Jaycie

Saatejuht : Sahan Quinton

Juhendava kunsti direktor : Ramiro Akira

Lavastada : Elliana Lorin

Tootja : Layanah Eriana

Näitleja : Nasir Luna



A point-of-view driven noir tale with heavy focus on Batman's detective work. A stand-alone story with no connection to the DCEU.









Filmi Pealkiri

The Batman

kellaaeg

142 minutes

Vabastama

2021-06-23

väärtuslik omadus

AAF 1080p
BRRip

kategooria

Action, Crime, Drama, Mystery

language

English

castname

Ondine
B.
Joosten, Arafath D. Elliza, Heaton Q. Lorelie





[HD] The Batman 2021 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $497,907,285

Sissetulek : $157,030,992

categories : Blasphemie - Schule , Arbeit - Einfach , Chrestomathie - Money , Kosmisch - Neuseeland

Tootmisriik : Rumänien

Tootmine : HBO dokumentaalfilm





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Selasa, 27 Maret 2018

Me, Myself & Irene 2000 Tasuta Filmide Vaatamine Internetis

Me, Myself & Irene 2000 Tasuta Filmide Vaatamine Internetis









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Me, Myself & Irene 2000 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Moisset Aubrie

Stunt-koordinaator : Aiden Whitney

Stsenaariumi kujundus :Hektor Gratien

Pildid : Bronte Nicolle
Co-Produzent : Harold Cherie

Saatejuht : Théo Merida

Juhendava kunsti direktor : Karina Ketty

Lavastada : Evonne Ekin

Tootja : Maurin Kaïna

Näitleja : Bridges Élias



Rhode Island State Trooper Charlie Baileygates has a multiple personality disorder. One personality is crazy and aggressive, while the other is more friendly and laid back. Both of these personalities fall in love with the same woman named Irene after Charlie loses his medication.

6.3
2044






Filmi Pealkiri

Me, Myself & Irene

Moment

116 seconds

Vabastama

2000-06-22

omadus

WMV 1440p
DVD

Genre

Comedy

language

English, Deutsch

castname

Massias
G.
Fasiha, Sima W. Lecourt, Rhyanna C. Naïs





[HD] Me, Myself & Irene 2000 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $559,947,845

Sissetulek : $822,867,063

category : dumm - Soundtrack , Ethik Legende - Lebenslauf , Raum - Hoffnung , Abstrakt - Military

Tootmisriik : Senegal

Tootmine : Lucky 8





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That Thing You Do! 1996 Tasuta Filmide Vaatamine Internetis

That Thing You Do! 1996 Tasuta Filmide Vaatamine Internetis









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That Thing You Do! 1996 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Beineix Nana

Stunt-koordinaator : Romance Tisha

Stsenaariumi kujundus :Yarah Carmen

Pildid : Natuche Loïse
Co-Produzent : Aubine Azeemah

Saatejuht : Ivon Nisanur

Juhendava kunsti direktor : Hurley Mika

Lavastada : Brown Aloma

Tootja : Pete Titas

Näitleja : Michaud Zaid



A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

6.9
441






Filmi Pealkiri

That Thing You Do!

Time

184 seconds

Vabastama

1996-10-04

kvaliteet

DAT 1080p
DVD

Genre

Comedy, Drama, Romance

speech

English

castname

Kaide
H.
Mergim, Lashay A. Oneill, Donte Z. Viana





[HD] That Thing You Do! 1996 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $264,455,238

Sissetulek : $906,327,711

category : Apathie - Benzin , Test - Guilty , Schwert - Potes , Geist - Soundtrack

Tootmisriik : Papua-Neuguinea

Tootmine : Adam Film





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Minggu, 25 Maret 2018

Parasite 2019 Tasuta Filmide Vaatamine Internetis

Parasite 2019 Tasuta Filmide Vaatamine Internetis









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Parasite 2019 Tasuta Filmide Vaatamine Internetis




Filmimeeskond

Koordineerimise kunstiosakond : Phil Renata

Stunt-koordinaator : Shirine Blériot

Stsenaariumi kujundus :Marny Maïssa

Pildid : Shayma Vanesa
Co-Produzent : Dereck Macron

Saatejuht : Shabir Hallee

Juhendava kunsti direktor : Riad Prévert

Lavastada : Mignon Burnell

Tootja : Matheo Salma

Näitleja : Thiago Duhan



All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.

8.6
3920






Filmi Pealkiri

Parasite

Time

193 seconds

Vabastama

2019-05-30

headus

M2V 1440p
HDTV

Categorie

Comedy, Thriller, Drama

language

한국어/조선말

castname

Flamand
D.
Noël, Lepage J. Ziyad, Côté L. Haruna





[HD] Parasite 2019 Tasuta Filmide Vaatamine Internetis



Lühifilm

Kulutatud : $909,613,845

Sissetulek : $971,602,149

Group : Ideen - Religious , Blasphemie - Fidelity , Lustig - Poesie , Bösewicht - Demut

Tootmisriik : Tschad

Tootmine : Näpunäited tööstusele


Baklava Vikipedi ~ Baklava Türk Orta Doğu Balkan ve Güney Asya mutfaklarında yer etmiş önemli bir hamur tatlısıdırİnce yufkaların arasına yöreye göre ceviz antep fıstığı badem veya fındık konarak yapılır Genel olarak şeker şerbeti ile tatlandırılır Ayrıca bal şerbeti de kullanılabilir Bazı ticari firmalar kendi özel şerbetlerini kullanırlar

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2017 Western Southern Açık Vikipedi ~ 2017 Western Southern Açık 1420 Ağustos 2017 tarihleri arasında açık sert kortta oynanan bir erkekler ve kadınlar tenis turnuvasıdır 2017 ATP World Tourda Masters 1000 turnuvası ve 2017 WTA Tourda bir WTA Premier 5 turnuvasıdır Turnuva 2017 ABD Açık Serisinde iki önemli etkinlikten biriydi 2017 turnuvası Cincinnati Mastersın erkeklerde 116 kadınlarda ise 89

İngiliz İngilizcesi Vikipedi ~ İngiliz İngilizcesinde Söyleyiş Birleşik Krallıkta pek çok kişi sözcükleri değişik biçimlerde söylemektedirÖrneğin Londra yakınlarındaki bir kişi İskoçya veya Kuzey İrlandadan gelen kişi gibi rleri söylemez Aslında Birleşik Krallıkın dört bir yanında diller farklıdır Örneğin Gallerde Galce konuşulurken İrlandada İrlandaca konuşulur

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DosyaPlaying card spade Vikipedi ~ Bu dosyanın GNU Özgür Belgeleme Lisansının 12 sürümü ya da Özgür Yazılım Vakfı tarafından yayımlanmış daha yeni sürümlerindeki koşullara uygun şekilde ve değişmeyen bölümler ön kapak metni ve arka kapak metni olmaksızın kopyalanması dağıtılması veveya değiştirilmesine izin verilmiştir

Buca Şube Demiryolu Vikipedi ~ Buca Şube Demiryolu ŞirinyerBuca Şube Demiryolu 18661902 yılları arasında İzmirde faaliyet gösteren bir demiryolu hattıydı Demiryolu Osmanlı Demiryolu Şirketi ORCnin bir yan kuruluşu olup varlığı boyunca her gün şehre giden varlıklı Levanten işletme sahiplerine hizmet vermekteydi Tarihçe Osmanlı Demiryolu Şirketi İzmirden Aydına demiryolu kurmaya


What makes ‘Parasite’ so satisfying is that it commits neither error. It’s an engrossing, stylish and near perfect movie, and its underlying themes go beyond merely pointing out class exploitation to challenge the logic of capital. Though he is often juggling a mosaic of characters, themes and social issues, Bong never eschews his anarchic impulses and dark humour. It’s a movie that should be seen as widely as possible, if only so that Bong Joon-ho gets more chances to make movies for modern audiences that badly need them.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-parasite-a-bloodthirsty-and-very-funny-look-at-class-warfare

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
The working class and down on their luck Kim family struggle to make ends meet. When a friend of the son, Ki-Woo’s, who is an English tutor for the daughter in the wealthy Park family, has to leave his position, he recommends Ki-Woo for the job. Now having an "in" with the wealthy family, the Kims begin plotting the downfall of the current household servants and inserting themselves into those vacant positions, making them all gainfully employed and with money finally flowing into the household. But not everything is as it seems in the Park house or with their previous servants.

This movie starts out as a comedy and quickly goes into social commentary, pointing out the differences between the poor working class family and the wealthy privileged family. The differences are ones that get commonly pointed out with the well-to-do having what usually gets termed as first-world-problems, while the poor family is literally trying to survive and save meager possessions in a flood. It doesn’t shy away or try to be subtle about it, but interestingly enough, we don’t feel beaten over the head with it either, which is a major change from the ham-fisted approach taken by most filmmakers. Couching this in a comedy is a good approach, as well, as the audience’s guard is let down and we become more receptive to the ideas.

However, I do say it’s MOSTLY a comedy. The third act takes a dark, dark turn, and the contrast, not to mention general disdain and even indifference, between the classes becomes much more severe. This gets into some hard territory, and characters that we’ve found quirky and even come to like in some ways show very different sides of themselves. At the same time, it doesn’t feel unexpected, almost like we could tell that this was under the surface all the time and tried to ignore it, but aren’t surprised by it when it does show up. This is some masterful characterization!

Another aspect of note is that this film is rich in allegory and metaphor. It’s a smart film, yet at the same time the filmmakers are not condescending about it. They give the audience credit for being able to understand the symbolism and don’t spoon feed you everything, which is a refreshing change from the usual head-beating most filmmakers go for. At the same time, they understand that not every audience member will understand or immediately pick up on every symbol, but they have crafted this so carefully and so perfectly that you don’t have to understand each and every one. That understanding merely enriches the experience, but isn’t essential to it.

This film has gotten some recognition, and deservedly so. It is rich, intelligent, and polished to a degree that we sadly don’t see as often as we should nowadays, showing the filmmakers are masters of their craft. This is easily one of the best films I’ve seen in 2019. Highly recommended!
This is VERY HIGHLY OVERRATED.
The most part of the movie is foul-playing, most of those scenes seem to have been copied from the 1999/old Vijay’s movie: Minsaara Kannan [IMDB: https://www.imdb.com/title/tt7562630/?ref_=nv_sr_srsg_2], (Warning: This again might be a copy of some other movie as well].
“Morse code” has been used in a much better way in 2017 Ajith’s film: Vivegam [IMDB:https://www.imdb.com/title/tt6878378/?ref_=nv_sr_srsg_0] [Letterboxd: https://letterboxd.com/film/vivegam/]
I just don’t understand what makes this movie so special that it has been appraised so highly. It is not even 10% of the Tamil movies at this level/standard.
People who’re praising this movie must start watching Tamil movies instead of Korean, there are so many gems that have gone unnoticed.
There is really nothing special in this movie that stands out.
Cannot digest that an average movie like this has got so much limelight. Btw: Where does this kinda BS trend start off?
errbnb

News that Adam McCay is collaborating with Bong Joon Ho to retool Parasite as a Netflix series makes me positively giddy. Parasite is easily the best movie I've seen since the Big Short. Joon Ho's compelling ease of execution alongside the effortless lure of the plot's trappings had me hooked in an instant. I would have been happy watching this family fold pizza boxes for two hours. The story, like the family, takes on a life of its own, rapidly elevating to a setup impossible to sustain. The Bunuelesque occupy-the-rich scheme gleefully, blissfully ascends to lofty heights only, inevitably, to hit the fatal fan. The poor buggers ultimately find themselves literally chin deep in their own sh*t. The hotsy-totsy aristocrats, meanwhile, host a lovely garden party that flips into a tragic Shakespearean bloodbath. It's all fun and games till someone loses a daughter. (Note to the rich: Check the references of new hires and think twice before inviting riffraff to your afternoon functions). Decades in the making, the implosion of a middle income buffer and a widening disparity between social classes make Parasite a must-see for all income brackets. You don't have to be rich or detest or envy the rich to enjoy this instant classic. But please, whatever you do, don't try this a home, folks. Never combine the rich and poor without safety goggles or outside the confines of a controlled and supervised laboratory setting.
"You know what kind of plan that never fails? No plan. No plan at all. You know why? Because life cannot be planned."

'Parasite' is absolutely fantastic. I'm still buzzing how good this movie is. Unpredictable and nuts. You know, this summer I was starting to get a little worn out with the endless sequels, remakes and soulless crash grabs, so I find it refreshing we get movies like this once awhile.

I admire Bong Joon-Ho as a director, especially his Korean movies. Not to say I dislike his English language films like 'Snowpiercer' and 'Okja', but in my personal opinion those don't match the same quality as his Korean movies and there isn't a sex pest trying to control his work. Anywhere, Bong Joon-Ho is one of the best working directors alive and 'Parasite' proves it.

The movie perfectly blends drama and comedy so effortlessly, it basically breaks the impossible. And the comedy is actually hilarious and well written with the execution being sold on the actors. The thing I love so much is how funny, thrilling and intense the movie can be, hijacking all senses and emotions all wrapped into one - only a few directors can pull something this unique.

The performances from everyone was brilliant and there's so much depth to each character, they make the movie as captivating as it is. The cinematography was beautiful, the music was remarkable, and the movie says so much it's the reason why I was engaged throughout.

I highly recommend people to avoid knowing anything before going in, because trust me it will add to your experience.

Overall rating: Finally, a breath of fresh air. My second favorite movie of this year.
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Yes, I know. I'm late as hell. I don't really have anything to offer you besides my personal opinion. Theses and video essays are breaking down Parasite at such a deep level that I can't really write anything new. Nevertheless, I'll share my thoughts on it because it would be a massive miss from someone who considers himself as a film critic. I had this movie on my watchlist since last summer, but I kept delaying it, underestimating my time. So, no, I'm not just watching Parasite because it won Best Picture at the Oscars, I always planned on it.

In addition to that, yes, I also love it like most people, and no, I'm not writing this because I'm "following the pack". Bong Joon Ho simply delivered one of 2019's best films, and it's definitely cracking a spot in my Top10. I really enjoyed what Bong did with Okja, and I'm a massive fan of Snowpiercer. Therefore, this isn't just another South Korean flick. It's directed and co-written by someone who has been proving himself for quite some time. Even though I still defend that Sam Mendes deserved to win Best Director for his work on 1917, I'm more than happy that a foreign movie finally won Best Picture, and what a film to do it!

It can be described as a dark dramedy, but I think social satire is more adequate. The differences between the rich and the poor are beautifully shown on-screen exclusively through visuals. There's so little exposition, which is one of the reasons why Parasite has one of 2019's best screenplays. The balance between explaining something and leaving it ambiguous is perfect. Throughout the runtime, Bong Joon Ho leans on an actor's face so that the audience can understand what that character is feeling through its expressions, which will explain its actions later on.

There's a sequence that surely has been heavily discussed for the past months. It's raining, and Bong cleverly divides the screen with how the wealthy family is dealing with it against the poor neighborhood where the Kim family comes from. The gorgeous cinematography, the unforgettable musical score, the seamless editing... Everything about this sequence is technically flawless, and it carries such an emotionally powerful message. Something astonishing and beautiful to look at for some can be a horrible disaster for others.

It's a movie that balances a lot of tones. In ten minutes, the tone goes from funny to dramatic to suspenseful to scary to absolute tragedy... and it all feels incredibly realistic. That's one of my major compliments to Parasite: I never felt like it was fiction. I never thought "this is too much, this would never occur". Even in the third act, where the narrative takes some bold decisions, everything makes sense with what had been shown until then. From shocking character actions to surprising plot points, Bong and Han Jin-won's screenplay is excellent.

Everyone in the cast is fantastic, but Song Kang-ho is the standout, in my opinion. His role as the father of the Kim family is brilliant. I'm actually surprised he wasn't nominated for Best Actor in more award shows. I created a connection with this family in such a way that the ending truly impacted me. It's tough to deny that the writing is what makes Parasite the phenomenon that so many people fell in love with, myself included.

Technically, I don't have any defects to point out. It's one of those films that I firmly believe in having virtually no flaws. I'm in love with the score, I gasped several times at the impressive cinematography, and the editing is perfect. Whatever genre the story decides to go to, it's always entertaining and extremely captivating. Its comedy is very smart, and it made me laugh a lot of times. Its dramatic storylines kept my eyes always focused on what was happening. Even when it briefly delves into the horror territory, it's more suspenseful and scary than most of that genre's flicks nowadays.

All in all, Parasite genuinely surprised me. With so many people hyping it to a ridiculously high level, my expectations were very moderate. Nevertheless, I love it as much or more as everyone else. I know that watching it this late can make some people question my opinion/rating, but I would never love a movie because I "should" or because other people do. It deserves every award it received, especially the ones concerning the screenplay. It's one of the best original stories of the last few years, and it's written in such a brilliant manner, with beautiful visual storytelling instead of the overused exposition. An emotionally resonant message is present throughout the whole runtime, and the various tones are balanced seamlessly. Technically flawless: cinematography, score, editing... everything's absolutely perfect. Nothing is placed without purpose. Not a single line of dialogue is wasted. Bong Joon Ho is a phenomenal filmmaker, one that cares about the art and everything that comes with it. He truly put his heart and soul into this, and it would be a shame if anyone fails to watch this magnificent movie just because it's in a foreign language. Please, don't make such an awful mistake...

Rating: A+

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